{"id":1270,"date":"2026-01-24T01:10:00","date_gmt":"2026-01-24T05:10:00","guid":{"rendered":"https:\/\/missspoiler.com\/?p=1270"},"modified":"2026-03-05T12:37:53","modified_gmt":"2026-03-05T16:37:53","slug":"canciones-que-se-responden-dialogos-musicales-a-traves-del-tiempo","status":"publish","type":"post","link":"https:\/\/missspoiler.com\/?p=1270","title":{"rendered":"Canciones que se Responden: Di\u00e1logos Musicales a Trav\u00e9s del Tiempo"},"content":{"rendered":"\n<p>En la historia de la m\u00fasica, hay canciones que parecen hablarse entre s\u00ed, como si una lanzara una pregunta y otra, a\u00f1os despu\u00e9s, ofreciera su respuesta. A veces el di\u00e1logo se da entre amigos, otras entre amantes, colegas o incluso generaciones enteras. Son ecos, r\u00e9plicas, homenajes o contrapuntos emocionales que construyen una narrativa paralela al paso del tiempo.<\/p>\n\n\n\n<p>Desde Brasil hasta los Estados Unidos, del pop contempor\u00e1neo al folclore latinoamericano, repasamos algunas de las canciones que se responden entre s\u00ed, creando verdaderas conversaciones sonoras.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">El Tiempo como Interlocutor: Caetano Veloso y Gilberto Gil<\/h2>\n\n\n\n<p>El ejemplo m\u00e1s claro es el de \u201cOra\u00e7\u00e3o ao Tempo\u201d (1979) de Caetano Veloso, y su respuesta, \u201cTempo Rei\u201d (1984) de Gilberto Gil.<br>Caetano le canta al tiempo como a una divinidad benevolente, pidiendo comprensi\u00f3n y sabidur\u00eda. Gil, en cambio, lo ve como un rey que todo lo domina, una figura m\u00e1s severa pero tambi\u00e9n m\u00e1s sabia.<br>Ambos, \u00edconos del Tropicalismo, transformaron la noci\u00f3n de tiempo en met\u00e1fora de madurez, arte y vida.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Caetano Veloso - Ora\u00e7\u00e3o Ao Tempo (Ao Vivo)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/HQap2igIhxA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tempo rei - Gilberto Gil\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/7s0yAJA8AnA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Chico Buarque y Caetano Veloso: Amistad y Espejos Art\u00edsticos<\/h2>\n\n\n\n<p>Otro di\u00e1logo memorable dentro de la MPB es el de \u201cParatodos\u201d (1993) de Chico Buarque, y \u201cPra Ningu\u00e9m\u201d (2006) de Caetano Veloso.<br>En la primera, Chico rinde homenaje a su generaci\u00f3n \u2014Gil, Caetano, Milton, Gal\u2014 con gratitud y nostalgia. Caetano responde con introspecci\u00f3n: si \u201cParatodos\u201d celebra la colectividad, \u201cPra Ningu\u00e9m\u201d es un canto \u00edntimo sobre crear incluso sin p\u00fablico.<br>Un di\u00e1logo entre el arte compartido y la soledad del creador.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Chico Buarque: Paratodos (DVD Meu Caro)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/axdhqnpHkHs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pra Ningu\u00e9m\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/ZWbsCV9C1RE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Tambi\u00e9n puede leerse en clave similar el intercambio entre \u201cOlhos nos Olhos\u201d (1976) de Chico y \u201cDom de Iludir\u201d (1977) de Caetano. Ella canta desde la mirada femenina que enfrenta al ex amante con orgullo; \u00e9l responde desde la culpa masculina, consciente de su don de seducci\u00f3n. Dos caras del amor, dos voces del Brasil m\u00e1s l\u00facido y po\u00e9tico.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Maria Beth\u00e2nia - &quot;Olhos Nos Olhos&quot; (Ao Vivo) - Tempo Tempo Tempo Tempo\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/w3AMxWvDse8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gal Costa - Dom De Iludir (Ao Vivo)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/GdqgGXWiAe0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">\u201cAinda Lembro\u201d y \u201cResposta\u201d: El Amor que Vuelve en Forma de Canci\u00f3n<\/h2>\n\n\n\n<p>Entre las conexiones m\u00e1s bellas del pop brasile\u00f1o est\u00e1 el di\u00e1logo entre \u201cAinda Lembro\u201d (1993) de Marisa Monte y \u201cResposta\u201d (1998) de Skank, escrita junto a Nando Reis.<br>En \u201cAinda Lembro\u201d (todav\u00eda recuerdo), Marisa recuerda un amor perdido con nostalgia y vulnerabilidad, pregunt\u00e1ndose si el otro tambi\u00e9n la recuerda.<br>Cinco a\u00f1os despu\u00e9s, \u201cResposta\u201d (respuesta) parece contestar esa pregunta: desde el punto de vista masculino, Nando Reis (autor) responde a ese llamado con melancol\u00eda y aceptaci\u00f3n (\u00abAinda me lembro o que eu estava lendo. S\u00f3 pra saber o que voc\u00ea achou. Dos versos que eu fiz. E ainda espero resposta\u00bb) (Todav\u00eda me acuerdo lo que estaba leyendo, s\u00f3lo para saber que te parecieron los versos que hice y todav\u00eda espero respuesta).<br>Ambas canciones dialogan sobre el recuerdo, el silencio y el amor que persiste a pesar del tiempo.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Marisa Monte | Ainda Lembro (Portas Ao Vivo)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/9LOBuHsqgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Skank - Resposta\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/81Szobx5SLM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">El Amor y sus R\u00e9plicas: De Bruno Mars a Miley Cyrus<\/h2>\n\n\n\n<p>La historia moderna del pop tambi\u00e9n tiene sus respuestas cruzadas.<br>Bruno Mars, en \u201cWhen I Was Your Man\u201d (2012), canta desde el arrepentimiento: \u201cI should\u2019ve bought you flowers\u201d. (debi comprarte flores)<br>Una d\u00e9cada despu\u00e9s, Miley Cyrus invierte la frase en \u201cFlowers\u201d (2023): \u201cI can buy myself flowers\u201d. (me puedo comprar yo las flores)<br>La balada triste se convierte en himno de independencia. Donde antes hab\u00eda culpa masculina, ahora hay empoderamiento femenino.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bruno Mars - When I Was Your Man (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ekzHIouo8Q4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Miley Cyrus - Flowers (Official Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/G7KNmW9a75Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Del Adi\u00f3s Tierno al Cierre Definitivo<\/h2>\n\n\n\n<p>En 1974, Dolly Parton escribi\u00f3 \u201cI Will Always Love You\u201d (siempre te amar\u00e9), un adi\u00f3s sereno y lleno de afecto. Esta canci\u00f3n fue el mayor \u00e9xito de Whitney Houston. D\u00e9cadas despu\u00e9s, Taylor Swift cerr\u00f3 filas con \u201cWe Are Never Ever Getting Back Together\u201d (Nunca jam\u00e1s volveremos a estar juntos): un mensaje sin segundas oportunidades.<br>De la dulzura al descaro, dos generaciones de mujeres transformando la manera de decir adi\u00f3s.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Whitney Houston - I Will Always Love You (Official 4K Video)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/3JWTaaS7LdU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Taylor Swift - We Are Never Ever Getting Back Together\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WA4iX5D9Z64?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Respuestas entre Exparejas: De Justin y Britney al Pop Contempor\u00e1neo<\/h2>\n\n\n\n<p>En 2002, Justin Timberlake lanz\u00f3 \u201cCry Me a River\u201d, exponiendo su ruptura con Britney Spears. Un a\u00f1o despu\u00e9s, ella respondi\u00f3 con \u201cEverytime\u201d, una balada melanc\u00f3lica que mostraba su dolor y arrepentimiento.<br>Una conversaci\u00f3n p\u00fablica entre dos \u00eddolos del pop atrapados en la era medi\u00e1tica.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Justin Timberlake - Cry Me A River (Official Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/DksSPZTZES0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Britney Spears - Everytime (Official HD Video)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/8YzabSdk7ZA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>La m\u00fasica brit\u00e1nica tambi\u00e9n tiene sus cruces: Adele, con \u201cRolling in the Deep\u201d (2011), expresa el enojo tras una ruptura; Lewis Capaldi, con \u201cSomeone You Loved\u201d (2019), responde desde la vulnerabilidad. Dos visiones de la p\u00e9rdida unidas por la emoci\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Adele - Rolling in the Deep (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/rYEDA3JcQqw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lewis Capaldi - Someone You Loved\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/zABLecsR5UE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Y d\u00e9cadas antes, John Lennon y Paul McCartney protagonizaron el enfrentamiento musical m\u00e1s famoso del rock: \u201cToo Many People\u201d (McCartney, 1971)* provoc\u00f3 la respuesta directa de Lennon con \u201cHow Do You Sleep?\u201d (1971)*, un duelo l\u00edrico entre dos genios reci\u00e9n separados de los Beatles.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Paul McCartney - Too Many People\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/rFddsWq2pDw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"How Do You Sleep? (Takes 5 &amp; 6, Raw Studio Mix Out-take) - John Lennon &amp; The Plastic Ono Band\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FoJQAyrUHhA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">La M\u00fasica como Conversaci\u00f3n Eterna<\/h2>\n\n\n\n<p>Estas canciones prueban que la m\u00fasica no s\u00f3lo se canta: tambi\u00e9n dialoga.<br>Cada respuesta, r\u00e9plica o eco emocional crea una nueva capa de sentido, un espejo entre generaciones, g\u00e9neros o visiones del mundo.<br>De Caetano a Miley, de Chico a Bruno Mars, la historia musical est\u00e1 llena de cartas cruzadas en forma de canci\u00f3n. Y en esa correspondencia sonora, los artistas no s\u00f3lo se contestan entre s\u00ed: tambi\u00e9n nos hablan a nosotros.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En la historia de la m\u00fasica, hay canciones que parecen hablarse entre s\u00ed, como si una lanzara una pregunta y otra, a\u00f1os despu\u00e9s, ofreciera su respuesta. A veces el di\u00e1logo se da entre amigos, otras entre amantes, colegas o incluso generaciones enteras. Son ecos, r\u00e9plicas, homenajes o contrapuntos emocionales que construyen una narrativa paralela al [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2885,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[647,73,905,904,180,41,200,906,181,696,909,908,699,903,907,910,124,725,700],"class_list":["post-1270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","tag-adele","tag-andrescalamaro","tag-britneyspears","tag-brunomars","tag-caetanoveloso","tag-charlygarcia","tag-chicobuarque","tag-dollyparton","tag-gilbertogil","tag-johnlennon","tag-justintimberlake","tag-marisamonte","tag-mercedessosa","tag-mileycyrus","tag-nandoreis","tag-paulmccartney","tag-skank","tag-taylorswift","tag-violetaparra"],"_links":{"self":[{"href":"https:\/\/missspoiler.com\/index.php?rest_route=\/wp\/v2\/posts\/1270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/missspoiler.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/missspoiler.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/missspoiler.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/missspoiler.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1270"}],"version-history":[{"count":1,"href":"https:\/\/missspoiler.com\/index.php?rest_route=\/wp\/v2\/posts\/1270\/revisions"}],"predecessor-version":[{"id":1272,"href":"https:\/\/missspoiler.com\/index.php?rest_route=\/wp\/v2\/posts\/1270\/revisions\/1272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/missspoiler.com\/index.php?rest_route=\/wp\/v2\/media\/2885"}],"wp:attachment":[{"href":"https:\/\/missspoiler.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/missspoiler.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/missspoiler.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}